Epigram Books Blog
Epigram Books in the running for Bologna Prize for Best Children’s Publisher of the Year for the second time March 02 2017
SINGAPORE, 2 MARCH 2017 — Epigram Books has been shortlisted once again for the Bologna Prize for the Best Children’s Publishers of the Year, which will be presented at the 54th Bologna Children’s Book Fair from 3 to 6 April this year.
“We’re doubly honoured to be nominated once again for the prize,” said Edmund Wee, Publisher and CEO of Epigram Books. “We are introducing Singapore fiction to the world through our recently set up London office. We hope this nomination will expose our children’s book authors and illustrators to the world as well.”
Nominated for the second year by publisher associations worldwide and 2017 fair exhibitors, Epigram Books, founded in 2011 to champion Singaporean literature, have published over 100 Singapore children’s and young adult titles, with more than 40 new titles scheduled for this year. Notable titles include the popular Amos Lee series, which has sold a total of 240,000 copies, and the Sherlock Sam series, which has sold over 63,000 copies and is currently being adapted into an animated TV series.
Three picture books published in 2016, Karung Guni Boy by Lorraine Tan and Eric Wong, Grandma and The Things That Stay the Same by Eve Aw and Yunroo, and Emma & Ginger Book 3: Dad’s at Home by Lily Kong and Jeanette Yap, have been sent to Bologna for the judging process.
The Bologna Prize for the Best Children’s Publishers of the Year, now in its fifth year, rewards creative, innovative publishers based on “the editorial projects, professional skills and intellectual qualities of work produced by publishing houses all over the world”.
Nominees are shortlisted into six categories organised by region: Asia, Africa, Central-South America, Europe, North America, and Oceania. Prize winners are determined by publishing houses, international publishers’ associations as well as cultural institutions taking part in the Bologna Children’s Book Fair.
Epigram Books is the only publisher from Singapore in the Asian category. Others in the shortlist are Borim Press from South Korea, Kaisei-Sha Publishing and One Stroke from Japan, and Karadi Tales from India.
Epigram Books Fiction Prize raised to $40,000 July 13 2016
Singaporean publisher increases prize money, offers prizes to all shortlisted manuscripts this year
Singapore’s richest literary prize is set to get richer, as local publisher Epigram Books raises the stakes for its annual Epigram Books Fiction Prize to $40,000 this year.
Now running in its second year, the 2016 prize will see three of its finalists receive $5,000 each, while the prize money for the winning manuscript will be increased to $25,000. Last year, only the winning manuscript received a $20,000 cash prize.
“While we’ve never doubted the abundance of Singapore’s fiction writing talent, we felt deeply encouraged by the quality of manuscripts from last year’s submissions,” said Edmund Wee, Publisher and CEO of Epigram Books. “And seeing how well our finalists’ novels are doing, we feel the shortlisted manuscripts should also get something more than the publishing contracts we offer them.”
Speaking at a writers’ forum titled The Great Singaporean Novel: Fantasy or Reality? at The Projector on Wednesday, Mr Wee also noted that two novels from last year’s shortlist, Let’s Give It Up for Gimme Lao! by Sebastian Sim and Death of a Perm Sec by Wong Souk Yee have already gone into their second print run a couple of months after their release in March and April respectively. The two other books from the 2015 prize, Sugarbread by Balli Kaur Jaswal and the winner Now That It’s Over by O Thiam Chin, were released in June.
Epigram Books will release three more titles from last year’s longlist—Annabelle Thong, a chicklit novel by Imran Hashim due in August; Kappa Quartet, a fantasy novel by Daryl Qilin Yam in September; and Altered Straits, a sci-fi tale by Kevin Martens Wong to be published in January 2017.
This year’s judging panel includes Mr Haresh Sharma, resident playwright for The Necessary Stage; Ms Constance Singam, former president of AWARE; Professor Philip Holden from the Department of English Language & Literature in National University of Singapore (NUS); and Mr Wee himself.
The closing date for manuscript submission is Thursday, 1st September 2016. The shortlist will be announced 2 months later, and the winner named in a gala dinner on 24th November 2016.
For manuscript submissions and more information, please visit ebfp.epigrambooks.sg.
TWO NEW JUDGES JOIN EPIGRAM BOOKS FICTION PRIZE 2016 PANEL
First of last year’s shortlisted novels also released
SINGAPORE, 24 March 2016 — The Epigram Books Fiction Prize is pleased to announce the judging panel for this year’s competition, in conjunction with the release of Sebastian Sim’s Let’s Give It Up for Gimme Lao!, one of last year’s finalists.
Returning to judge this year’s prize are Professor Philip Holden from the Department of English Language & Literature in National University of Singapore (NUS), and Publisher & CEO of Epigram Books Edmund Wee. The two new judges are: Haresh Sharma, resident playwright for The Necessary Stage, and Constance Singam, former president of AWARE.
Haresh Sharma was conferred the Southeast Asian Writers (or S.E.A. Write) Award (Singapore) in 2014, and Singapore’s Cultural Medallion in 2015. Constance Singam recently published her memoir, Where I Was: A Memoir From the Margins.
"I am thrilled to be part of the panel of judges along with Philip Holden and Haresh Sharma," says Constance. "It's an exciting time for fiction writing in Singapore, and I'm eager to see who we will be offering the Prize to."
First launched in 2015, the Epigram Books Fiction Prize is Singapore’s richest literary prize, boasting an award of $20,000 and a book publishing contract for the winning entry.
Last year’s winner was short story writer O Thiam Chin, whose book, Now That It’s Over will be published in May. Finalist Sebastian Sim’s Let’s Give It Up for Gimme Lao! is now available at all major bookstores, while Death of a Perm Sec by Wong Souk Yee and Sugarbread by Balli Kaur Jaswal will be released in the coming months.
The Epigram Books Fiction Prize is now open to all Singaporeans citizens, Singapore Permanent Residents, and ex-Singaporeans. Manuscripts must be original, unpublished and uncontracted work, and should have a word count of about 40,000 words or more to be eligible.
The closing date for manuscript submissions is Wednesday, 31st August 2016. The shortlist will be announced 2 months later, and the winner named in a gala dinner in early December.
For more information about the Epigram Books Fiction Prize, please visit http://ebfp.epigrambooks.sg.
For media enquiries, please contact us at email@example.com or call +65-6292-4456.
The Finer Art of Editing II: Meira Chand March 14 2015
Thank you for coming to last night’s edition of The Finer Art of Editing—the second instalment after the inaugural session with Miguel Syjuco. Over the course of two hours, Meira Chand, the internationally acclaimed author of eight novels generously shared with us about how the UK editing landscape was like in the 1970s and 1980s, when she was published by the same imprint as Jane Austen herself.
Meira also related how her first editor sat down with her for five days, going over every word, sentence, paragraph and chapter—her greatest lesson in writing yet. Now, she edits her own manuscript before submitting it to publishers, like her latest, the Oprah’s Book Club selection A Different Sky (Random House, 2011), which Meira herself edited down from over 1,000 pages to its final 500 plus.
Our thanks also go out to NUS Press, Super Cool Books and NTU Centre for Contemporary Art for joining us. Do join us for April’s instalment of this complimentary evening of editing enrichment, snacks, drinks and conversations with some of the best writers in world literature. RSVP with our Sales Manager, Ilangoh Thanabalan, at ‘firstname.lastname@example.org’ today. Until then, keep reading!
Singapore’s Richest Literary Prize Launched March 10 2015
SINGAPORE, 10 March 2015—Epigram Books is pleased to announce the launch of a new literary prize, the Epigram Books Fiction Prize.
The annual prize of S$20,000 is the richest literary award in Singapore. It is to be awarded to a Singaporean, Singaporean permanent resident or Singapore-born author for the best manuscript of a full-length, original and unpublished novel written in the English language. The first winner will be announced at this year’s Singapore Writers Festival in November 2015 and have his/her novel published by Epigram Books.
“We want to reward excellence in contemporary Singapore creative writing and to encourage the readership of high-quality Singapore literature by publishing the winning and shortlisted entries,” explains Edmund Wee, Publisher and CEO of Epigram Books.
The competition is now open for entries. The manuscript must be unpublished and uncontracted to a publisher. Four hard copies of the manuscript and a completed official entry form should be submitted by post or delivered by hand to Epigram Books at Block 1008 Toa Payoh North #03-08 Singapore 318996. The closing date for submissions is August 31, 2015, 6pm.
The judging panel will be chaired by Edmund Wee. The names of the other judges will be announced at a later date. For more information about the inaugural edition of the Epigram Books Fiction Prize, or for any queries, please visit www.epigrambooks.sg.
About Epigram Books
An independent publisher based in Singapore, Epigram Books is known for putting together well-designed and thought-provoking titles. It began as a division of the multiple award-winning communications design firm Epigram but registered as a separate entity in July 2011 to champion Singaporean literature.
It is best known for the middle grade series, The Diary of Amos Lee, which has sold over 240,000 copies worldwide. Other landmark publications include translations of Cultural Medallion winners and new editions of out-of-print classic Singaporean novels.
Epigram Books Fiction Prize
The Epigram Books Fiction Prize promotes contemporary Singapore creative writing and rewards excellence in Singapore literature. The annual prize is Singapore’s richest literary award. S$20,000 is awarded to the Singaporean, permanent resident or Singapore-born author for the best manuscript of a full-length, original and unpublished novel written in the English language. The competition is now open for entries. The first winner will be announced at the Singapore Writers Festival in November 2015 and have his/her novel published by Epigram Books. Please download the official entry form and rules and regulations here.
Open Invite: The Finer Art of Editing February 06 2015
We’re kicking off a monthly mixer called The Finer Art of Editing and all you publishing folks are invited. Renowned fiction writers, like the multiple award-winning Miguel Syjuco, will be dropping by to share their experiences in an engaging, informal and frank manner. Join us so we can all become even better editors of Singapore Stories.
In March, we’ll be hosting another exciting, internationally heralded novelist. Do contact our Sales Manager Ilangoh Thanabalan at ‘email@example.com’ if your publishing house is keen to join us for a complimentary evening of editing enrichment, snacks, drinks and conversations with some of the best writers in world literature.
We'll see you here soon!
Epigram Books’ Staff’s Favourite Books January 20 2014
Make a list of your top ten favourite books.
We are not very good with numbers.
Some were good and stuck to the ten requested. Others, cheated with parentheses. And then, true to the love we have for books, many just could not whittle their list down. Just as we all have different favourites, we all had different ways of expressing ourselves as well so here are our lists, with parentheses, comments and all.
The God of Small Things by Arundhati Roy
The Namesake by Jhumpa Lahiri
I Capture the Castle by Dodie Smith
Matilda by Roald Dahl
High Fidelity by Nick Hornby
Great Expectations by Charles Dickens
To the Lighthouse by Virginia Woolf
The Little Prince by Antoine de Saint-Exupéry
Much Ado About Nothing by William Shakespeare
His Dark Materials by Phillip Pullman
Anansi Boys (and The Graveyard Book and Neverwhere heh) by Neil Gaiman
Ender Series by Orson Scott Card
Chrestomanci Series by Diana Wynne Jones
A Fractured Mind: My Life with Multiple Personality Disorder by Robert B Oxnam
Drina Series by Jean Estoril
To Sir, With Love by E.R. Braithwaite
The Hobbit by J.R.R Tolkien
Heart of Darkness (not exactly a favourite but a stuck in my head book) by Joseph Conrad
Asterios Polyp by David Mazzucchelli
Complete Plays by Sarah Kane
Complete Works by Harold Pinter
One Fierce Hour by Alfian Sa’at
The City of Forgetting by Gopal Baratham
The Gift of Rain by Tan Twan Eng
The God of Small Things by Arundhati Roy
The Three Theban Plays by Sophocles
The Unconsoled by Kazuo Ishiguro
The Dinner by Herman Koch
In One Person by John Irving
Big Brother by Lionel Shriver
The Burgess Boys by Elizabeth Strout
The Infatuations by Javier Marias
The Goldfinch by Donna Tartt
Hothouse by Boris Kachka
HHhH (debut novel) by Laurent Binet
May We Be Forgiven by A.M. Homes
A Hologram for a King by Dave Eggers
Gone Girl by Gillian Flynn
Sweet Tooth by Ian McEwan
Ancient Light by John Banville
Behind the Beautiful Forevers by Katherine Boo
Swimming Home by Deborah Levy
Book I read every Dec – Frederick Forsyth, The Day of the Jackal.
Fav Book that was made into a Play – Arthur Miller, Death of a Salesman.
Fav Singapore published book – Lee Kuan Yew, The Singapore Story, From Third World to First.
Fav Philosophical Book – Michael Sandel, What Money Cant Buy.
Fav Parable – Spencer Johnson, Who Moved My Cheese.
Fav Biography – Allan Hoe, David Stirling, the Authorised Biography of the Founder of the SAS.
Fav Thrillers – Tom Clancy, Rainbow Six and The Hunt for Red October…I took almost four years to read the former.
Fav Non Fiction Title – Victor Ostrovsky, By Way of Deception.
Fav Indian Author – Arundhati Roy – The God of Small Things.
Fav Classics – Thomas Hardy, The Mayor of Casterbridge, Charles Dickens, Great Expectations and Alexander Dumas, The Count of Monte Cristo.
Fav Jeffrey Archer – Prisoner of Birth and Not a Penny More Not a Penny Less.
Fav Author I followed and then gave up on – Richard Marcinko, The Rogue Warrior Series.
Fav Self Help Book – Yu Dan, Confucious From the Heart.
Fav Ian Fleming – From Russia With Love.
Fav Mafia Themed Book – Mario Puzo, The Godfather.
Fav Author read during my childhood – Franklin W Dixon, The Hardy Boys, think read ‘em all till 1983.
Fav Singapore set book authored by a Caucasian – Noel Barber, Sinister Twilight.
Fav Flawed Characters in crime literature – Ian Rankin’s Inspector Rebus and Henning Mankell’s Kurt Wallander.
American Gods by Neil Gaiman
Outside the Dog Museum by Jonathan Carroll
The Fortress of Solitude by Jonathan Lethem
Magic for Beginners by Kelly Link
The City and the City by China Miéville
The Girl in the Flammable Skirt by Aimee Bender
The Enchantress of Florence by Salman Rushdie
To Kill a Mockingbird by Harper Lee
The Brief Wondrous Life of Oscar Wao by Junot Díaz
Invitation to a Beheading by Vladimir Nabokov
Bridge of Birds by Barry Hughart
The Sacred Book of the Werewolf by Victor Pelevin
Interpreter of Maladies by Jhumpa Lahiri
The Woman Who Thought She Was a Planet and Other Stories by Vandana Singh
Corrupting Dr. Nice by John Kessel
The Five Wonders of the Danube by Zoran Živković
Alabaster by Caitlín R. Kiernan
The Book of Laughter and Forgetting by Milan Kundera
The Complete Cosmicomics by Italo Calvino
Quiet: The Power of Introverts in a World That Can’t Stop Talking by Susan Cain
The Wind-Up Bird Chronicle by Haruki Murakami
Drawing Out The Dragons: A Meditation on Art, Destiny, and the Power of Choice by James A. Owen
UBIK and The Man in the High Castle by Philip K. Dick
Issola by Steven Brust
Life of Pi by Yann Martel
The Hitchhiker’s guide to the Galaxy by Douglas Adams
The Way Back Home by Oliver Jeffers
The Giving Tree by Shel Silverstein
Lover’s Dictionary by David Levithan
The Tiny Book of Tiny Stories by Joseph Gordon-Levitt
You Cannot Count Smoke by Cyril Wong
Fool’s Fate by Robin Hobb
Me Talk Pretty One Day by David Sedaris
Room by Emma Donoghue
Ash Wednesday by Ethan Hawke
One Day by David Nicholls
Man and Boy by Tony Parsons
Veronika Decides to Die by Paulo Coelho
Catcher in the Rye by JD Salinger
Goodnight Moon by Margaret Wise Brown
The Memory Keeper’s Daughter by Kim Edwards
Anna Karenina by Leo Tolstoy
The Brothers Karamazov by Fyodor Dostoevsky
Bonhoeffer: Pastor, Martyr, Prophet, Spy by Eric Metaxas
Nothing to Envy: Ordinary Lives in North Korea by Barbara Demick
The Lexus and the Olive Tree by Thomas Friedman
Systematic Theology by Wayne Grudem
Garlic and Sapphires by Ruth Riechl
Wild Swans by Jung Chang
The Woman Warrior by Maxine Hong Kingston
Understanding People by Larry Crabb
Bear Snores On by Karma Wilson
Chicka Chicka Boom Boom by Bill Martin Jr., John Archambault and Lois Ehlert
Henri’s Walk to Paris by Leonore Klein and Saul Bass
The Incredible Journey by Sheila Burnford
Charlotte’s Web by E.B. White
Wonder by R.J. Palacio
Room by Emma Donoghue
She’s Come Undone by Wally Lamb
(NB: It’s very hard for me to whittle my list down to just these…and these are some of the ones that I am remembering at the moment…and I’m sure there will be more favorites that I have not yet read….)
The English Patient by Michael Ondaatje
To the Wedding by John Berger
Impossible Object by Nicholas Mosley
The God of Small Things by Arundhati Roy
The Elephant Vanishes by Haruki Murakami
Turtle Diary by Russel Hoban
Teacher by Sylvia Ashton-Warner
Broken Vessels by Andre Dubus
The One-Straw Revolution by Masanobu Fukuoka
The Inland Sea by Donald Ritchie
Wen Yeu’s Favourites
Sam, Sebbie and Di-Di-Di by David Seow
Monsters, Miracles & Mayonnaise by drewscape
The Girl Under the Bed by Dave Chua and Xiao Yan
Scenegapore by miel
Myth of the Stone by Gwee Li Sui
一年甲班34号 － 恩佐
妖怪模范生 － 恩佐
The New Sweater by Oliver Jeffers
The Rock and the Bird by Chew Chia Shao Wei
Curious George Series
Winner of the 2013 Hedwig Anuar Children’s Book Award
Where’s Grandma? By Edmund Lim and Illustrated by Tan Zi Xi
Singapore, 29 May 2013—Epigram Books is very proud to announce that Where’s Grandma? by Edmund Lim and illustrated by Tan Zi Xi has been awarded this year’s Hedwig Anuar Children’s Book Award (HABA).
The award is presented biennially for an outstanding book for children written by a Singaporean or PR. Its aims are to encourage the quality and quantity of books published for children, as well as promoting the publication of books set in a familiar and meaningful background that is relevant to children in Singapore.
Where’s Grandma? is a poignant tale of a boy’s struggles to come to terms with his beloved Grandma’s deteriorating condition due to Alzheimer’s disease. With Tan Zi Xi’s sensitive and understated illustrations, the book evokes powerful emotions in anyone who has dealt with the loss of their loved ones.
Where’s Grandma? was also selected for the 2012 READ Singapore! Campaign organised by the National Library of Singapore.
ABOUT THE AUTHOR
Edmund Lim is an educator who has taught in the National Institute of Education. Edmund enjoys reading and writing. He hopes that his storybooks will engage readers, young and old. His love for his grandparents and family, along with his desire to educate children, inspired him to write Where’s Grandma?
ABOUT THE ILLUSTRATOR
Tan Zi Xi studied at Central Saint Martins (London) on a DesignSingapore scholarship and currently works full-time as an independent illustrator. Zi Xi recently held her first solo exhibition at The Art Studio in Singapore. She has been recognized with several awards and commendations, and was a finalist in the London International Creative Competition 2010.
ABOUT MRS HEDWIG ANUAR
Mrs Hedwig Anuar was the first Singaporean Director of the National Library of Singapore, a position she held from 1960 until her retirement in 1988. Though she put in place the foundations of the modern library system in Singapore and made contributions to all aspects of library work, this award recognises her outstanding contribution to children’s librarianship and the promotion of books and reading for children.
“A heartwarming and well illustrated story”,
Ken Spillman, Chief Judge, HABA picture book Awards.
“I am glad and grateful for this award and pleased that our work will touch the lives of children and our society”,
Edmund Lim, 2013 Hedwig Anuar Children’s Picture Book Winner.
“I feel privileged to have worked with Edmund on this project, and I am pleased to know that the illustrations complemented so well the story that Edmund wrote”
Tan Zi Xi, 2013 Hedwig Anuar Children’s Picture Book Winner.
“We took a chance on a very important topic and both the authors and illustrator did a fantastic job”,
Edmund Wee, Publisher of Epigram Books.
“This is a fantastic win-win situation for Singapore literature and for Singaporean picture books”,
Sheralyn Tan, Editor of Picture Books, Epigram Books.
For further media enquiries, please contact Cathlin Anabella at firstname.lastname@example.org or at +65 6292 4456.
Kids First, Jobs Second April 18 2013
Recently, the (female) CEO of Yahoo’s decision to put an end to work-from-home arrangements sparked a fierce debate, particularly amongst working mothers and women who were hit hardest. Then, Facebook’s COO Sheryl Sandberg released Lean In, a book in which some claim she “does what too many successful women before her have done: blaming other women for not trying hard enough” to achieve career advancement and work-life balance. Now, with the Ministry of Manpower’s family-friendly policies going into action closer to home, our Managing Editor Ruth reflects on her own journey of motherhood and work, and how much she enjoys currently being a part-time stay-at-home mum (PTSAHM)!
I recently had dinner with a friend who had just returned to work after her maternity leave. She, the naturally chatty and effervescent one, was recounting the travails of dealing with a newborn, establishing a good sleep routine, and breastfeeding, with great drama and humour. This was all stuff that I’m familiar with, having three kids of my own. The struggles of new moms are so similar, and we two had a terrific time laughing our heads off, thanking God that “things have now stabilised” after “six months of hell in the beginning” and then, quite naturally, my friend moved on to talk about her return to work. As a doctor, her work is demanding and these days, she hardly sees her baby girl. For a mere 30 minutes before bedtime. And that’s it.
“But it can’t be helped,” she said, trying to hide the disappointment in her tone. “That’s the life of a working mom. Too bad.”
A strange silence followed her statement. I wasn’t sure how to react, and so, didn’t react at all. We began talking about other things, and that was that.
But this issue of working and motherhood has been bothering me for a long time, and not just because of my friend’s comment. For me, it started way back. Perhaps it started with my own mum being a stay-at-home mum. She raised three kids by herself while Dad worked long hours, and on weekends. Or, perhaps it started with me studying in the US for four years, me being determined not to hang out with Singaporeans, and consequently, me making a lot of American friends who invited me to their homes and introduced me to their parents. I had friends who talked to their dads every night in college, as if they were chatting with their best friends. I had friends whose mums were homemakers. They made jam which they stored in their basement and prepared delicious roast turkey for Thanksgiving. One of them even sewed the cushion covers of all the cushions in the house! It’s weird—most people think going to college in the US is all about getting drunk, joining a fraternity/sorority, “finding yourself”, and of course, developing a thick and fake American accent. I’m sure all those things were there, somewhere, in my college experience, but what stood out the most was not all these superficial and ultimately pretentious things. I found amazingly affirming friends in the US. I also discovered a new pattern of family life and parenthood, which starkly contrasted with my own slightly dysfunctional family in Singapore.
And I found God. That brings me to my next point. When I returned to Singapore, I began moving in the opposite direction of most of my friends. My other Raffles Girls’ School (RGS) and Raffles Junior College classmates were joining big law firms, saying things like, “I have to make partner first before I start a family.” I, on the other hand, found myself in a job where I was trying my best to do as little as possible, so that I could get off work by 5pm to meet up with my boyfriend or go for Bible Study! I’m being totally frank here, and my former bosses and colleagues would probably be shocked to read this. You see, there was still enough of an “RGS girl” in me to at least try to appear career-minded and driven. Like all the other scholars in my batch, I tried my best to look like a “rising star”, to be someone who had a “helicopter view of issues”, who was able to “distil the key issues” into “salient points” and develop “comprehensive and innovative ideas” to address challenges, taking into consideration “ground up feedback” and the “uncertain security and economic environment”. I did work hard—until 5pm, that is—and found myself taking on more responsibilities and challenges as the years went by.
But these are not the things I remember of my eight years in the Civil Service. Yea, the “Civil” years were more about me adjusting back to crowded life in Singapore, losing my thick and fake American accent (I confess, I had one, and it was super thick and super fake!) and finding an amazing church community which I eventually called home. There are stories about that as well—because in searching for a church home, I went from ultra-charismatic to super-conservative. At the end of the day, I found myself settling into a church that actually preached the Bible faithfully every week, and where sermons made me feel uncomfortable because of how challenging they were.
One particular sermon series was about working and motherhood. By then, I was six months pregnant with my first child. I remember I was sitting on the carpeted floor of a large ballroom in a Malaysian hotel. It was our annual church camp, and the speaker turned his attention to the issue of motherhood. He challenged the mothers in the room to think about whether they were truly putting their kids and their husbands first by making the decisions they did, and organising their life the way they did. Two months later, I gave birth to Daniel and shortly after that, I decided to take no-pay leave from the Civil Service and become a stay-at-home mum.
Why did I make that decision? Was it because my own mum stayed at home? Was it because I had friends in the US who had amazingly close relationships with their parents? Was it because of that sermon series? As I listened to my friend saying, “It can’t be helped. That’s the life of a working mom. Too bad,” I reflected on why I decided to stay at home. And the best way to put it, after years of thought on this issue, is: I’m just more at peace if I put my kids first.
Kids first. Job second. Kids first. Work second. Kids first. Career second. A few months after stopping work, I did actually have lunch with one of my high-powered RGS friends who had ended up joining a big law firm. I remember saying something like, “So you have to think, at the end of your life, will people remember the long hours you put in in the office? Will they remember what you did at work? Or, is it the relationships that you build that count to eternity?” My high-powered RGS friend stared blankly at me. She had driven her boyfriend’s Lamborghini to meet me for lunch. With her once-pimpled complexion (in secondary school) now masked with make-up, and wearing a powersuit (with a string of pearls no less!), I’m not sure the significance of what I said sunk in at all.
She was probably thinking: in Singapore, the way people raise their kids is to hire a maid, get the grandparents to help, and both parents continue to work. But, come on. It’s one thing to continue working because you can’t afford to stop, because your family requires two incomes to survive. It’s another thing to continue working because that’s the way it’s done in Singapore and you don’t even want to think about it further because you just want to follow what everybody else is doing.
For me, I embarked on the lonelier path. I admit, I did have a bit of a self-righteous mentality. A sort of I’m-better-than-all-working-women-because-I’m-sacrificing-my-career-for-my-flesh-and-blood pride. Of course, all of that was very quickly dashed to pieces when I discovered how utterly mundane and mind-numbingly boring staying at home could be. How many times CAN an educated woman listen to “The Wheels On The Bus” before wanting to be put to death before she hears it again? And have you ever had to deal with a toddler the whole day long, let along two (at one point, I had a two-year-old and a six-month-old to deal with concurrently!) Let me tell you—your worst boss? The one who’s erratic, offensive, tempermental? The one that keeps going back on his word? The one that lashes out at you for no reason, fails to motivate you, the one you can’t understand? YOUR TODDLER MAKES HIM LOOK LIKE JESUS.
So many times, while I was pushing my pram with my second child in it, while scolding my first child (who was walking by my side) between clenched teeth (walk faster! walk slower! drink your water! stop drinking your water!), I would wonder, “WHAT am I doing?” Once, while taking one of those “leisurely” strolls down the street, we walked past an RGS girl in uniform, carrying her bag. Forgetting that I was in a baggy T-shirt with yesterday’s dirty shorts on, I smiled at her with a knowing smile. She stared at me disgustedly—You’re just a housewife with two unruly kids. Stop ruining my RGS aura! At that point, I had enough irony in me to want to shout out to her, “I’m an RGS girl too! This is what you have to look forward to!”
Of course, I did no such thing. Staying at home was not quite the “holiday from work” and the “idyllic tai tai life” that is typically imagined, especially because I did not have a helper. But looking back, I would not trade it for the world. Because despite feeling sad enough to eat an entire bar of chocolate when I discovered my peer at work was now promoted to deputy director in the ministry I was working at, staying at home has brought tremendous joy. I have seen my children go from helpless baby to senile toddler to think-he’s-got-superpowers boy/girl to near-tween. All those teachable moments, all those one-to-one lunches, all those not-really-funny jokes that they make up and look expectantly at you to laugh at, all those conversations about evolution and God, all those sad moments when friends have spurned them, or when they were bullied in the playground, and all those times spent doing afternoon outings, library visits and swimming. I’m not saying that all this would not be possible if I were a full-time working mom. But I’m saying that less of this would be possible if I were not around during the day for them. And the truth of the matter is: I would have missed out.
After three years of staying at home, I returned to part-time work because I had to serve out my bond. Then, I joined Epigram Books in November 2008, also part-time. Having worked part-time for more than five years now, I think I have some street cred to say conclusively that, “Part-time work rocks!” This is a message I want to bring to the world of close-minded bosses who are too skeptical to be family-friendly. If that happens to be you, or if you happen to know someone who vaguely or partially resembles aforementioned said “type of boss”, do me a big favour and tell him the following:
1. Part-timer stay-at-home mums (PTSAHM), are super motivated individuals who will work hard for you.
Reason: Stay-at-home mums are looking for something to balance their life at home. If you give them a job, they will be, first of all, very grateful. They will want to do well, to keep you happy, and in addition, they will want to be efficient BECAUSE they want to go home to spend time with their kids. Hence, they will not Facebook in the office, they will not download porn movies on iTunes, and they will not stand around the pantry making coffee for an hour while chit chatting with everybody. In short, it is in the interest of a part-timer stay-at-home mum to get the job done efficiently and effectively.
2. Part-timer stay-at-home mums usually come with prior job experience and skills.
Reason: To achieve the status of part-timer stay-at-home mum, this person must have gone through several years of full-time work, usually at least three to five years. This puts her in the category of NOT an entry-level candidate, but a “person with prior experience”. Hence, there will be less training time involved.
A super-motivated, super-efficient individual who has work experience and skills.
What could be better?
Furthermore, studies have shown that workers who have a life outside work tend to be better workers that those who make work their life. Hey, that totally describes the part-timer stay-at-home mum! Bosses, pay attention!
I’m blessed to have found part-time employment at Epigram Books, all thanks to Edmund Wee. I’m sure he didn’t hire me for altruistic reasons. In fact, I AM ACTUALLY sure he didn’t. A while ago, he told me point blank, “I hired you because you were cheap.” As a part-timer, I had to accept a portion of my usual full-time pay, of course. But hey, I was happy to do so, since I was only working part-time! So, I was motivated, efficient, experienced and CHEAP. Once again: bosses, pay attention!
Of course, there are problems with part-time employment. It’s not all a bed of roses. In my previous part-time job, tongues started wagging when I left work in the middle of the day, even though those were my official working hours. It just seemed strange to people that I was leaving, even though I was supposed to! People were also unhappy that my then-boss seemed to be doing something special for me, like carving out a special portfolio, just so that I could work part-time. In that department, and sadly, in the rest of the Civil Service, part-time work remains uncommon and part-timers are seen as unreliable, odd individuals.
When I joined Epigram, things were slightly better. Edmund is the sort of boss who empowers you and leaves you alone to get the job done. (Once again, he’s not being enlightened. He just hates details! But hey, win-win!) However, my irregular working hours meant I took longer to bond with my colleagues, who preferred to come in late and work into the evenings, by which time I was at home snuggling with the kids. I also felt very upset with some colleagues who didn’t seem supportive of stay-at-home or part-time moms. One person in particular said to my face, while at lunch one day, “I never want to stay at home.” “Why?” I asked meekly. I hate confrontation. Her reply was quick and curt: “You lose touch. I don’t want to lose touch.” There was a bit of a silence before I felt the need to say: “You DO know that I stayed at home for many years right?” Once again, her quick reply: “Yah.” And that was it. I spoke to her less often since then. I wish I had had the courage to forgive her for insulting my life choices to my face, but I wasn’t so big-hearted then. Of course, I need to add that many other Epigram colleagues were wonderful and, supportive, if not politely indifferent, to my “weird” choice not to dedicate all my working hours to sitting at a desk. And, I have to reiterate again that I respect and support all options for moms: I DO NOT think that staying at home is better than part-time work which is better than working full-time. There is NO definitive scale of what is better and what is not. Every family and every mom may have a different model. But I do believe and am even more convinced now than ever before that children needs their parents to put them first. You can do this as a full-time worker. You can do this as a part-timer. You can do this as a stay-at-home mom. It is all possible. But only you will know in your heart what your priorities are, and where your treasure lies.
If part-time work were more accepted and prevalent in Singapore, women would not have to make that difficult choice of ALL or NOTHING. Bosses would benefit from part-timer stay-at-home mums. And perhaps, full-time employees would gain more openness to the diversty of work options that should be a normal part of our employment landscape, and become more family-focused themselves. I have a lot of sympathy for women who wish they could go part-time, but have unwilling bosses, or are just not able to because they need the income. I genuinely feel the struggle of these women, and pray that more employment opportunities would open up for them, enabling them to care more directly and quantitatively for their children. As my experience has shown, spending more time with your kids is a tremendous experience, not one that is entirely trouble-free, but one that is undeniably rewarding.
But as for now, I celebrate the patchwork journey that God has led me through. I’m very sure that life will continue to bring more surprises, heartaches and through it all, growth. What is important to me, I have realised, is the relationships that I have, not the work that I do. And, for me, at least I can say with a clear conscience, that I have tried my best to put my family first.
Call For Submissions: ‘Best New Singaporean Short Stories’ October 08 2012
FOR IMMEDIATE RELEASE
Call for Submissions for Reprint Anthology Series
Singapore, 8/10/2012 — Epigram Books and editor Jason Erik Lundberg are excited to announce the premiere volume of Best New Singaporean Short Stories, a new biennial anthology series of Singaporean short fiction, with an expected publication date of May 2013.
“We have wanted to put together this series for a long time,” said Epigram Books publisher Edmund Wee. “It is important to collect and promote the excellent new short fiction being published by Singaporean writers, and no one else in Singapore has yet done so in this way.”
Epigram Books is now considering nominations from periodical editors and book publishers who have published English-language stories by Singaporean writers, both in Singapore and abroad. Authors must be Singaporean citizens or permanent residents.
The original appearance of the nominated stories is required to have been published in magazines, literary journals, anthologies, or collections (both in print and online) between January 2011 and December 2012; OR achieved prize placement (third place or above) in a national/international writing competition. There are no restrictions on genre or subject matter.
Submissions are open until 31 December 2012. Full submission guidelines are available here.
For further information or queries, contact:
Jason Erik Lundberg | Editor, Epigram Books
email@example.com | +65-6292-4456
A Day In The Life of Jason September 28 2012
In this week’s installment of A Day in the Life we hear from Jason, another valuable and recent addition to our editorial team. A published author, editor, teacher and small-press owner, Jason brings to Epigram Books a wealth of literary experience.
The life of a book editor was always something very mysterious to me growing up and reading fiction, and then still later after becoming an author myself (you can find me online at JasonLundberg.net). What power those people must have, I thought, and what fun. They are the ones who determine what books get published, and they get to include their fundamental love of reading and books into their daily job.
After a month as one of Epigram Books’ newest editors, I can say that much of the mystery has fallen away, but the passion remains. I had editing and publishing experience as an anthologist prior to being hired—Scattered, Covered, Smothered (Two Cranes Press, 2004), A Field Guide to Surreal Botany (Two Cranes Press, 2008) and Fish Eats Lion: New Singaporean Speculative Fiction (Math Paper Press, 2012)—but acquiring and editing books as a house editor is a completely different animal.
Our fiction publishing line has thus far largely consisted of reprinting older works, of bringing them back into the public consciousness after years of being out of print, which is a noble endeavor; but our publisher, Edmund Wee, is also eager to release new and original titles, to show that Epigram Books is committed to championing the best new Singaporean writing in English. And that’s where I come in.
So far, I’ve mostly been working on titles that Epigram Books has already acquired, and shepherding them into shape for publication in 2013. I’m working with authors of both novels and short story collections of the literary variety, although I’m also very interested in speculative fiction as well (since that is my specialty), and hope to start bringing in more SF to our stable as well (submission guidelines are here).
One of the unexpected benefits of this job has been the projects that have come up because of an immediate need to be filled. This has resulted in me writing a children’s picture book about the pandas who have just arrived at the Singapore Zoo, and curating a biennial anthology series of best new Singaporean short stories. Both of these projects are stretching me as a writer and editor, and likely would not have happened if I were not in the right place at the right time.
I’m part-time at Epigram Books, meaning that I only work mornings. My days consist of emailing the authors with whom I’m working to ensure that everything is coming in on time and to our satisfaction, editing the text in Microsoft Word (thank goodness for change tracking), reading and assessing other manuscripts that have been sent in over the transom for quality and marketability, drawing up author contracts based on our standard template, applying for publication grants from the National Arts Council, and meeting with the rest of the editorial staff to discuss our production timelines.
In the afternoons, I’m free to work on freelance projects, and to get my own novel into decent shape (I finished writing it in August, and have just completed my own second editing pass; I hope to have it ready for first readers by end of October). It’s a situation that has worked very well for me so far, enabling some steady income but still giving me time to pursue my own creative passions. I’ll be appearing in my authorial capacity at the Singapore Writers Festival in November.
I have to give many thanks to Edmund Wee for recognising my potential as a book editor and bringing me aboard Epigram Books. It’s a relationship that I hope will continue for many years to come!
A Day in the Life of Esther July 16 2012
In our new instalment of A Day in the Life, we bring you the perspective of Esther, our Design Intern (officially under Epigram). One of the bubbliest interns we’ve ever had the fortune to have under our employ, Esther pitched in with quite a few Epigram Books’ projects as well!
“Hello, this is Esther here, I am coming here for an interview, but I think I got lost. I don’t know where am I now, somewhere near a school called St Nicholas Girl School.”
“Huh… Got difference mehhh?”
And that was my adventurous start at Epigram, the award-winning design firm! I’m a design intern so officially I’m under Epigram. However, because we’re one big happy family, I’m often tasked to assist Epigram Books on design jobs as well!
On my first day, while I was sorting out PANTONE colour chips, I felt a huge sense of disbelief that as an intern, I had a such huge desk in such a nice open office, with whole stretches of white book shelves, and black and white photographs everywhere. I was stunned by how nice the office was and even more stunned by the awards displayed at the front of the office. While I tried to look cool and collected, I kept saying to myself, “Ahh… is this for real? I’m in Epigram! EPIGRAM!!”
This is a list of A+ experiences I had with Epigram:
1. Went for press check for the book Farrer Park.
It was really cool and a fantastic learning experience for me to see the maze like printing press and witness the birth of books! Seriously, those machines are crazy!
2. Doing overtime to read books.
Yes, design books, children books, coffee table books and all other kinds of BOOKS! I always imagine books on those nice white shelves will fly and one day if I accidentally fell asleep in office, words in it will line up and cover me with blanket.
3. Ate raw beef…
… and also other things that tasted really good but in all honesty, I didn’t really know what they were. This was during Edmund’s (the Managing Director of Epigram and Epigram Books) birthday.
4. Admitted to hospital.
Kidding, I became an actress! I posed as a mock patient for an annual report photo-shoot.
5. Did the layout for a book that is going to be published this year.
The title of the book is Sushi and Tapas and it will be out mid-August this year! Speaking about readability and legibility, Macheads spent lots of time getting things like layout and formatting right! (Macheads=designers who buried their heads with Mac). “I shall appreciate books and words more.” Repeat 3 times before you read any book!
Yes, I used to be afraid of doing illustrations because someone once told me I couldn’t draw. But I’ve found new confidence by illustrating for SPARK newsletter. It is one of the things I enjoyed most in my to-do-list. By the way, SPARK is an ADHD association, which Epigram supports.
7. Attended a book launch.
I’ve never attended any book launch before as I’m not quite a book person, but I get to eat nice pastries and drink champagne! (It was the launch of our new play, Mimi Fan by Lim Chor Pee). And it was really fascinating to see how the team at Epigram Books together with BooksActually pulled it all off! It’s really hard work!
Edmund once asked me, “So how? Do you still want to be a designer after being with us for 6 weeks?”
“Maybe, but I want to be a housewife! That’s my long term dream!” I replied with a silly grin. (But of course I wanted to be a designer first!)
I came to Epigram as a design intern thinking “hmm… I’m just an intern, I’m just going to learn about publication and probably a lot short cut keys using Adobe InDesign!”
But in the end, it turned out to not just be an internship, it was much more…
The Diary of Adeline Foo in Beijing April 26 2012
Hello from Beijing!
Here are some participants who attended the China-Singapore Publishing Symposium. From left to right, Daniel Ho from People’s Trend, Evelyn Chia from Pan Asia Publishing, Catherine Khoo from Janus Education, (me) Adeline Foo and Edmund Wee, CEO & Publisher from Epigram Books.
Here’s a household name in MediaCorp Channel 8 dramas, Edmund Chen (the other Edmund, also the other author, on this trip).
I remember when I was a teenager, I used to watch Edmund on TV. I envied him for his easy switch between use of English and Mandarin in speaking; I was never comfortable, nor good, with my mother tongue. Preparing for this trip had been a nerve-wrecking experience. For someone who prepares for a school presentation just the night before the talk, I’ve had to rely on quick thinking to get through speeches. But this is China, and this presentation is in Chinese! I can’t think and speak fast in Mandarin! Arrrghhhh!
So what was the hardest part in preparing for my talk? Well, what do you call Amos in Chinese?
The original computer-aided translation was 阿莫斯 李的日记, but I thought it sounded really weird! I had to work on sooooo many permutations before coming up with this, something that sounded like ‘er mo xi’. But how do you write that? My son, Ben, helped me to install an app for Chinese word recognition. I went through hundreds of characters before deciding on 儿模施的日记. The last word was inspired from the names of one of China’s four greatest beauties, Xi Shi. Then what about ‘I Sit, I Write, I Flush’? I liked this one which a friend suggested: 我上大号、写日记、冲马桶！It sounded really cocky, something naughty that Amos would say in Mandarin! I’m also pleased with the other translations for Book #2 and Book #3:
Girls, Guts & Glory: 有女生真烦! 要成名太难！
I’m 12, I’m Tough, I Tweet!: 十二岁的我很威风，因为我会发微博!
There’s more than just translating titles in the presentation, of course, but for this blog, I thought it’s enough to share this. So, after surviving the presentation, how did we celebrate? In Beijing, over Peking duck of course! A quick check with locals led us to this quaint, run down Peking duck restaurant called ‘Liqun’ (definitely an ‘F’ rated dining place for hygiene, see pictures!) But we’re all good foodies, we eat everything that’s served, and we don’t ask if the cooks ever wash their hands!
It was a really eventful trip, thanks to the Media Development Authority and organisers from EonBoo Publishing who made it possible. Hopefully, this first symposium would pave the way for more authors from Singapore to enter the China market.
Work aside, how did the Peking duck rate? I gave it a five-star, while Edmund (not the author, but the publisher) said Singapore still has the best Peking duck. But he’s not telling where because he doesn’t want the place to be swarmed by people.
Cheers from Beijing!
Edmund, Meet Bologna. Bologna, Meet Edmund March 19 2012
It started with a letter from the National Arts Council inviting our Managing and Creative Director, Edmund Wee, to the Bologna Children’s Book Fair 2012. From 19 to 22 March, the Bologna Children’s Book Fair will be held in Bologna, Italy (where else?!), and is the most important fair devoted to children’s books, publishing and multimedia in the world. At the fair, publishers (like us), authors, illustrators, literary agents, distributors, booksellers, librarians and more children’s book professionals the world over meet to discuss the selling and buying of rights. There, these industry professionals will discover the very best in children’s publishing and multimedia, meet up with their peers and make important contacts. Deciding to go, a flurry of activity then ensued!
Felicia, our Rights & Marketing Manager, has been busy sourcing for air tickets, making hotel arrangements and buying book fair tickets (she almost forgot but she’ll never admit it: forgetting would have left Edmund stranded outside the fair, ticketless and barred from entry) while juggling the many emails requesting appointments with Edmund and trying to fit everyone into his busy schedule. On the creative side, our designer, Stefany, together with Edmund, worked hard on creating fun and eye-catching catalogues for two of our best- selling children’s series, The Diary of Amos Lee and Archibald!
Months later, our fearless leader’s bags are packed and he is finally ready to take off and represent Epigram Books at Bologna for the first time ever! Well, almost ready, we are waiting for advance review copies of Archibald and the Black Knight’s Ring, publishing only in June 2012 to come back from the printers and then he’s off!
Keep a look out for Edmund’s misadventures once he returns.
Epigram Books goes to the Fair October 05 2011
When Frankfurt Book Fair representative Ms Lei Ren was in town in May, we met up to chit-chat and show her our catalogue. Imagine our delight when Frankfurt Book Fair then invited us to be a sponsored guest of their special Invitation Programme! A sponsored trip to Germany? Free air ticket and accommodation? How could we say no? Apart from the trade fair itself, we’ve been given the honour of attending special seminars and workshops for publishers and agents from around the world. Word is, we’re the first Singapore publisher to be invited for this programme. What can we say? We are truly humbled.
So, wish us luck! Our small but enthusiastic team, led by our fearless director, Edmund Wee, will be making our dazzling Frankfurt debut between 12-16 October. If you’re in the area, come visit; we’re at Hall 5.0 Stand E.987.